Hieroglyphs of a world model of a Navajo rug

Varga Géza írta 2021. 02. 16., k - 16:49 időpontban

E cikk, amelynek alábbi angol fordítását Hédy Csákvárinak köszönöm, magyarul a következő linkre kattintva olvasható: Egy navaho szőnyeg világmodelljének hieroglifái

 

Introduction

In recent decades, I have identified the symbol sets of several American Indian folk art objects with the signs of Szekler writing (more precisely, its predecessor using logograms, the Hungarian hieroglyphic writing). The approximate 30 common Native American-Hungarian word and sentence symbols provide an opportunity to approach the meaning of short texts on American Indian folk art objects (1). It is tempting to also explore the sound form of similar Native American texts, but this would require a more thorough knowledge of American Indian languages.

The purpose of this article is to draw the attention of American researchers and seek help by presenting the word signs of a Navajo rug (Figure 1). Thanks to Hédy Csákvári for the photo of the carpet.

As it would be impractical to renegotiate general questions that may arise during reading in each article, I recommend that the reader read the book “Hungarian hieroglyph writing”.

 

  

1 / a. figure. Navajo rug with readable top view world model

 

 

1 / b. figure. Pakistani vessel from Indus Valley culture (above), the corners of its world model have the same high corner(s) sentence symbol (in the lower right corner of the figure along with the Szekler high and corner word marks) as we can see on the Navajo rug

 

 

 

1 / c. figure. Kyrgyz carpet, with high corner(s) sentence symbols  in the corners and high corner(s) sentence symbols on the corners of the Navajo carpet

 

 

1 / d. figure. The corners of the world model of the Anasazi plate have the same high corner(s) sentence as above (the center of the plate is perforated, so the photo graphics here could not reproduce any central signals that may have been there)

 

 

The Navajo world model

The top view world model (mandala) is a representation convention that is widespread in both Eurasia and America. A map of the created and ordered world recorded with signs. The area it depicts (the Ararat region) actually exists, the common homeland of a significant group of Homo sapiens sapiens 100,000 to 50,000 years ago. I have wrote about this in my book „Symbols of the Hungarians”. As it is customary, which this Navajo world model conforms to, the name and/or sign of God is displayed in the center and the symbol of the path to heaven at the corners. The elements of the common set of symbols have changed somewhat in the long time since the separation, but they are still in use in Szekler writing. This provides an opportunity to understand the signs of the Navajo rug. We do not claim that short Indian texts can be given an accurate reading based on Hungarian signs. However, verification using Native American character sets and languages ​​can provide an excellent insight into the cultural-linguistic circumstances and, to some extent, the timing of migration to America.

A special value of the Navajo world model discussed in this article is that both the divine symbol in the middle (Fig. 2/a) and the corner symbol in the corners (Fig. 6) have good Eurasian parallels from the wider area of influence of the Scythian-Hun era. (2)

 

The central sentence that mentions God

 

The sentence in the middle of the world model, following a tradition found in some Eurasian hieroglyphic texts (Figure 3/b), states that the Earth belongs to God. Mentioning this tenure is just one of the peculiarities that binds the Navajo world model to Eurasian parallels.

Another parallel is the word God itself, which would have been a marker of  Hungarian ethnicity if it had not appeared in America (3). It definitely indicates the Native American-Hungarian ethnocultural kinship, which is supported by linguistic, folk music and genetic research, and which is considered and proudly taken by a large number of Hungarians. The word God also occurs in the legible decoration of a hopi bowl.

 

 

 

2/a. figure. In the center of the world model of the Navajo rug you can read (made up by five word symbols) the Ku god (Ku ancestor 'ten') with the text 'Lord of the Earth'.

 

 

 

2 / b. figure. Hun jewel with the High Stone of the Brilliant Khuar (Lord Ku) from the Ehmann treasure find in Pilis, a kind of parallel to the Navajo god symbol

 

 

 

3 / a. figure. Word symbols of the central sentence of the Navajo rug mentioning God (above) and the corresponding Szekler "k" (Ku), 'ancestor', 'ten' symbols, the Hungarian folk art 'stem' hieroglyph and the "f" (Earth) symbol from the Szekler script (below)

 

 

 

3 / b. figure. The hieroglyphic sentence of the clasp ring of the Árpádian period in Karcag also ends with the word symbol Earth, which is also a kind of parallel to the text of the Navajo rug.

 

 

 

Figure 4. The word of God (ancestor + ten) (left) of the Navajo rug and the Amur rock drawing from around 4000 AD, on the metal plate of the Lomovátovo culture defined by the Huns, and on one of the Hungarian finds from the time of the Hungarian conquest of Gyula

 

To evaluate the 'ten' word symbol, it is necessary to know that the symbol has split in two over time and two variants emerged from it. One has a single pair of branches and the other  has three pairs of branches. Therefore, the 'ten' variants in Figure 4 are equivalent and comparable despite the graphical variation.

 

The two-element corner symbol

The ancients thought the world was rectangular and the overhanging sky was hemispherical, so access to the sky was considered possible only at the corners of the Earth in contact with the sky. The corners had a separate god, or the corner was the same as God. For example, the word Hungarian corner does not accidentally resemble the root of Heracles' name. Heracles was the ancestor of the Scythians, whose columns on the edges of the world are also commemorated in the sources. Ultimately, a readable representation of these columns can be found at the corners of the Navajo rug (Figure 5).

 

 

 

Figure 5. The corner symbol of the Navajo rug consists of two elements, the upper part reads: high 'sar "high corner/lord", the lower  high stem stone "high lord's stone" or "high corner lordstone" .

 

The characteristic corner symbol, which can also be observed on the Navajo carpet, is due to the structure of the landscape depicted in the top-view world model. This is because it is a representation of an existing geographical landscape. In the territory of Eden, also mentioned in the Old Testament. Four mountains (the Caucasus, the Elburz, the Zagros, and the Taurus) form the cornerstones of the landscape. To commemorate the corner mountains of the former homeland, there are still characteristic mountain representations on the corners of world models. These pictograms are similar in remote parts of the world because they were taken to America from Eurasia by migrants there thousands of years ago (Figure 5).

 

The sentence symbol high “sar(ok)” (meaning: high corner)

This sentence is the clearest evidence that the deservedly admired and readable decorative art of the American Indians may be closely related to the end-Eurolithic cultures of Eurasia, from which both Scythian and Hun culture grew. Due to the double meaning of the word sar, "Lord Corner," the sentence also carries the meaning of "High Lord."

 

 

6 / a. figure. Navajo rug high corner (sar(ok))  sentence symbol (left) and its equivalent from an Afghan (Indus Valley culture) vessel (middle) and the corner of the Kyrgyz carpet world model (right)

 

 

 

6 / b. figure. Components of the sentence symbol above the high shar (ok)  (high corner): the signs of the Szekler script "m" magas (high) and "s" (sar "lord, corner")

 

 

The Stone of the High Lord sentence symbol

 

The "High Stone" depiction convention evolved from a drawing on the left and right of the stepped tower church. The road to the sky serves as a staircase to symbolize its mountain peaks. Between these stairs it is customary to insert the name and / or token of the god who was revered on the stair-tower temple.

 

 

 

7 / a. figure. The stone of the Navajo High Shar ("Lord") is a sentence (the meaning of the horizontal line is unclear)

 

 

 

7 / b. figure. Jeddit vessel with the phrase stone of the High, Good Shar ("Lord, Corner"), with Szekler symbols corresponding to the Jeddito hieroglyphs at the bottom

 

 

 

7 / c. figure. Gyimesi Easter egg with the stone phrase High Shar ("Lord, Corner"), in the lower left corner the signs of the Szekler writing "m" (high), "s" (Shar "Lord, Corner") and "third k" (stone)

 

 

Notes

(1) We can interpret American texts on the basis of Hungarian signs because the results of the research carried out by the Research Institute for the History of Writing in Budapest over the past 50 years make this possible. New, surprising circumstances emerged about the birth of Szekler writing and writing in general:

The Bronze Age Hungarian Literature, published in 1993. As a result of our volume, the four best-known academic researchers rejected the proclaimed Old Turkic origin of the origin of Szekler writing of a hundred years and confessed that they had no idea about the origin of Szekler writing.

Mankind’s first symbol system was not for the purposes of the state and accounting, but for the purposes of ancient religion. This symbol system is may have been in use in the Middle East 50,000 years ago, from where the first groups of Homo sapiens sapiens set out to populate Europe, Asia, and America, with common signs in their posession.

Based on the Hungarian symbols on archeological finds and still in use to this day, 20-50 word symbols of the Hungarian hieroglyphic writing were widespread from the Pyrenees to South America as early as the Stone Age.

The revealed symbol similarities were verified by a probability calculation performed with the help of the mathematician Tibor Nemetz. Based on the probability calculation, these symbol similarities are not due to a random match, but to a genetic relationship between writing systems.

Geneticists have shown that some of the ancestors of the Siberian Huns reached America and became the ancestors of some Native American tribes. Since we Hungarians are also descendants of the Huns, we rightly research the kinship of Hungarian symbols of Hun origin in the folk symbol set of the American Indians. The peculiarity of this related set of Native American symbols is that similar symbols appear in all three Americans, in all sorts of tribes.

(2) Based on the signal parallels, it was not the Paleolithic but the symbol set of the Scythian-Hun era that were transferred to America. This Scythian-Hun symbol set changed somewhat compared to the symbol set of Eden during the migration to the north. Similar changes help to time the signs of different ages and landscapes. The characteristic Scythian-Hun symbols formed in the Turani Plain and the steppe are also found in the folk symbol sets of the American Indians.

The readings in the article are based on Hungarian signs. We do not claim that an Indian password dictionary (if any) would give exactly the same reading.

The name Hungarian hieroglyphic writing does not mean that in the Stone Age it was the writing of a people who called themselves Hungarian, but only that this writing - to my knowledge - was best preserved by the Hungarians and could be learned on the basis of Hungarian data.

Since the right of explorers is to name the thing discovered, I chose the name of the writing system following the above considerations.

(3) The Navajo ten word appears above the ancient word in the composition (Figure 4). In some Eurasian parallels we see the same order, while in the other part we see the opposite. In related language material, there are also two orders of ingredients. The tenocs "god" on the Zürjén and the Hungarian isten (god) are in reverse order. In the name of Tenochtitlan is the name of the ancestor (god?) Who led his people to the area. The order of the name Tenoch corresponds to the order of the tenocs "god" composition in Zürjen. 

 

 

 

Literature

  

Varga Géza: Bronzkori magyar írásbeliség, Írástörténeti Kutatóintézet, Budapest, 1993.

Varga Géza: Magyar hieroglif írás, Írástörténeti Kutatóintézet, Budapest, 2017.

Varga Géza: A magyarság jelképeiÍrástörténeti Kutatóintézet, Budapest, 1999.

Varga Géza: Az akadémikus tudomány átadta a terepet, nem képes a székely írás eredeztetésére

Varga Géza: Nemetz Tibor matematikus rovológiai jelentőségű valószínűségszámítása

Varga Géza: A karcagi csatkarika hieroglifikus felirata

Varga Géza: Az Indus-völgyi kultúra magyar jelekkel elolvasható szarvasa

Varga Géza: Pakisztáni edény magyar hieroglifákkal az Indus-völgyi kultúra korából

Varga Géza: Isten szavunk eredete

Varga Géza: Az Isten szó előfordulása egy párthus istenábrázoláson

Varga Géza: Hopi tál az "Ogur isten" mondattal

 

 

 

Varga Géza

cserepmadar@gmail.com

 

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